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Risotto alla Milanese Classico

The codified version of the Lombard tradition: Carnaroli, beef marrow, saffron threads and an all’onda finish (creamy and wave-like) with Grana Padano DOP.

Prep time 15 min
Cook time 15 min
Serves 4 people
Difficulty Medium
Season All year round
Variety Carnaroli

Risotto alla milanese in its classic, codified Lombard version: Carnaroli rice, a soffritto (slowly sweated aromatic base) of onion and beef marrow, meat broth brought to doneness one ladleful at a time, saffron threads dissolved halfway through cooking and a final mantecatura (off-heat creamy stir) all’onda (wave-like) with butter and Grana Padano DOP. No white wine, no raw onion in the dish: the dry version that the Lombard plain has handed down to us.

The Lombard Tradition

Here at home, in Lumellogno, risotto alla milanese is one of those dishes you learn within the family before you even know its name. We cook it on Sundays, when the meat broth keeps us company for hours over a low flame and the kitchen slowly fills with its scent. It is the Lombard recipe par excellence, codified in the manuals of regional cookery and handed down from generation to generation, and we of the Novara plain feel it as part of our own land: the Lomellina and the Milanese are neighbouring territories, rice and broth have been on speaking terms for centuries.

The classic version asks for few ingredients and no shortcuts. For our home kitchen we have chosen the Carnaroli Classico from the closed supply chain of Lumellogno: the grain holds up to a long mantecatura, releases its starch at just the right moment and keeps its structure even when the dish cools at the table. We grow it here, we mill it in our own riseria, and it leaves our ISO 9001 certified production with the same care that we put, grain after grain, into the work in the paddy.

Every step carries its own weight: the very slowly stewed soffritto, the dry tostatura (toasting) to set the grain, the boiling broth poured in by the ladle, the saffron threads that give up gold and scent halfway through cooking, and finally the mantecatura all’onda. That old technique whereby the risotto, when you tilt the plate, moves like a slow wave and the grains stay distinct within the golden cream that binds them. You never beat it with a whisk, you stir it with your wrist, just as we were taught here at home.

What You Need

Ingredients for 4 People

Ingredients

  • 500 g Carnaroli Classico Acqua e Sole rice
  • 30 g beef marrow
  • ½ small onion
  • 1 small bunch saffron threads
  • 60 g butter
  • to taste grated Grana Padano DOP
  • to taste meat broth
  • to taste salt

Notes from Home

  • Carnaroli can be replaced with Arborio or Vialone Nano, but for us here it remains the reference variety for the all’onda mantecatura
  • Arborio has large, pearly grains, ideal for softer, creamier risottos
  • Vialone Nano gives an excellent yield and holds up well in cooking, a sound Veneto alternative
  • As an alternative to the threads, you can use 2 sachets of good quality powdered saffron, added only at the end of cooking
  • The risotto should come out all’onda, with the grains distinct but held together by the creamy, golden binding
Step by Step

Method

1

Prepare the Soffritto

We start from the base, which here at home is never skipped. We peel the onion and chop it finely, then we take the bone and draw out the marrow, gathering it to one side in a small bowl. In a wide saucepan we combine 50 g of butter, the freshly extracted marrow and the onion. We keep the flame very gentle and let it go calmly, until the onion turns translucent and almost dissolves entirely: it must lose all its sharpness and grow soft under the spoon.

2

Toast the Rice

At this point we pour the Carnaroli from our supply chain into the saucepan. We let it toast for a few minutes, turning it so that every grain takes on the butter and the marrow. We feel with our fingers resting on the rim of the pan: when the edges of the grain turn shiny, almost glassy, and the pan is hot to the touch, the tostatura is ready. On this point here at home we do not compromise: it is the step that decides how the rice holds up during cooking.

3

Cooking with the Broth

We raise the flame and begin to moisten the rice, one ladleful of boiling broth at a time, stirring unhurriedly with the wooden spoon. Cooking carries on for about 15 minutes, but the minutes are dictated by the grain, not by the clock. When the broth withdraws and is drunk up by the rice, we add another ladleful, always taking care that it stays al dente: a well-cooked risotto is a risotto stopped an instant too soon.

4

The Saffron

Saffron is the heart of the dish, and as we learnt within the family it must be handled with respect. If we use the threads, we first dissolve them in a little warm broth and add them halfway through cooking: they have the time to give up to the rice all their gold and their deep scent. If instead we only have the powder, we keep it aside and pour it in only at the end of cooking, so that it does not lose its aroma.

5

Mantecatura all’Onda

And here we come to the final gesture, the one that we of the Novara plain always await with a little pride. We take the saucepan off the heat, add the remaining butter and a good handful of grated Grana Padano DOP. We let it rest for a few minutes, stirring vigorously, then we adjust the salt. The risotto must stay soft, all’onda: when you tilt the plate it moves like a slow wave, the grains well distinct but held by the golden cream that binds them.

A Memory of the Plain

Keeping the Tradition

The classic version of risotto alla milanese has been codified in the manuals of regional Lombard cookery as a dry preparation of a few precise gestures: Carnaroli rice for its hold, beef marrow for depth of taste, saffron threads for colour and scent, and the mantecatura all’onda as the final technique. No white wine to deglaze the tostatura, no raw onion in the dish, no shortcuts. Our plain, from the Lomellina to the Milanese, has kept this balance for whole generations, and we here in Lumellogno prepare it in just the same way, because it is the way the land has taught us.

From the Lombard plain to our paddy fields

The Farmer’s Advice

Why Carnaroli for the classic version

Carnaroli Classico is the variety we always keep in the pantry for our home risotto alla milanese. It has a large grain, high amylose and a resistance to cooking that Vialone Nano and Arborio do not match: it holds up to a long mantecatura without breaking down, releases its starch at just the right moment and keeps its structure even when the dish is served at the table at a leisurely pace. We grow it here in Lumellogno, the western hamlet of Novara, and we mill it in our riseria from paddy to bag: a closed supply chain with ISO 9001 certified production, which lets us know exactly what comes out of our pack.

«Risotto alla milanese is made with Carnaroli and with the wrist: the grain holds up to a long mantecatura, the wrist makes the wave. Without one or the other, it is something else.» From the kitchen of Acqua e Sole, Lumellogno

A practical word of warning: the broth must be boiling when you add it, never lukewarm. If the broth cools, cooking is interrupted, the grain loses its rhythm and the final mantecatura no longer comes out all’onda. Keep the broth pot beside the rice saucepan, always over a low flame.

The questions we are asked most often

Questions about Risotto alla Milanese Classico

Why does the classic version not include white wine?
The codified Lombard tradition of risotto alla milanese calls for a dry preparation. White wine to deglaze the tostatura is a modern addition, handy because it marks a clear starting point, but it does not belong to the classic version. Without wine, the sweetness of the beef marrow and the depth of the meat broth stay in the foreground, and the saffron finds the aromatic space that is rightly its own. For our home version we follow the tradition: no wine, boiling broth from the very first ladleful.
Saffron threads or powder? Does it really make a difference?
It makes a great deal of difference. Saffron threads dissolved in a little warm broth halfway through cooking release gold and scent slowly and fully: the rice has the time to take on the colour and absorb the aroma. The powder has the advantage of convenience and must be added only at the end of cooking, otherwise it evaporates. If you can find good quality threads, they are worth the effort: the colour is more intense and the scent lasts longer in the dish.
How do I know when the mantecatura is “all’onda”?
The test we do here at home is simple: at the end of the mantecatura, tilt the plate slightly. If the risotto moves like a slow wave, with the grains staying distinct but held by the golden cream, the consistency is right. If instead it sits still like a polenta, it is too dry, add a ladleful of broth and work it a little more. If it runs like a soup, it is too liquid. The right mantecatura keeps the dish compact but fluid, and you sense it from the spoon before you even see it with the eye.

Recommended Pairing

To go with the classic risotto alla milanese we gladly open a Piedmontese white with character, one that can hold up to the savouriness of the Grana and the depth of the marrow. A well-structured Gavi DOCG works, or an Erbaluce di Caluso Riserva with a few years behind it, bringing lively acidity and minerality. For those after greater complexity, a Timorasso Colli Tortonesi converses beautifully with the saffron.

On the Piedmontese reds, we stay with light wines of good acidity: a young Grignolino del Monferrato served cool, or a Vespolina Colline Novaresi from our parts. Best to avoid the great tannic reds such as Barolo and Barbaresco: the tannin closes up against the saffron and the dish loses its golden balance.

Carnaroli Classico Acqua e Sole rice, Piedmontese superfino rice grown in Lumellogno
The rice we use

Carnaroli Classico Acqua e Sole Rice

Our Carnaroli Classico, grown in Lumellogno and milled in our riseria. A large grain, high amylose, perfect hold in a long, all’onda mantecatura. The reference variety for the classic risotto alla milanese, and for all the risottos that ask for structure and creaminess together. Closed supply chain, ISO 9001 certification, from paddy to bag always in our own hands.

Take Carnaroli home

A recipe of the Lombard tradition in its codified version, from our kitchen in Lumellogno.